The Monobloc Throne 2017
Bianca Carrara
101 x 54 x 54 cm
Sometimes the Dead are More Alive than the Living 2017
Wombeyan marble, wool rugs and acrylic paint
163 x 120 x 115 cm
Photography: Laura Moore
Monument 2017 installation view, Sullivan + Strumpf, Sydney
Monolith 2017
ink jet on cotton rag
75 x 40 cm
Edition of 3 + 2 AP
The Monobloc Throne 2017
Bianca Carrara
101 x 54 x 54 cm
Sometimes the Dead are More Alive than the Living 2017
Wombeyan marble, wool rugs and acrylic paint
163 x 120 x 115 cm
Sometimes the Dead are More Alive than the Living 2017
Wombeyan marble, wool rugs and acrylic paint
163 x 120 x 115 cm
The Monobloc Throne 2017
Bianca Carrara
101 x 54 x 54 cm
Sometimes the Dead are More Alive than the Living 2017
Wombeyan marble, wool rugs and acrylic paint
163 x 120 x 115 cm
Sometimes the Dead are More Alive than the Living 2017
Wombeyan marble, wool rugs and acrylic paint
163 x 120 x 115 cm
Sometimes the Dead are More Alive than the Living 2017 (detail)
Wombeyan marble, wool rugs and acrylic paint
163 x 120 x 115 cm
Left Turn at Albuquerque 2017
stop-motion video
4.00 minutes
edition of 3 + 2 AP
Monolith 2017
ink jet on cotton rag
75 x 40 cm
Edition of 3 + 2 AP
Sometimes the Dead are More Alive than the Living 2017
Wombeyan marble, wool rugs and acrylic paint
163 x 120 x 115 cm
Monument 2017, installation view, Sullivan + Strumpf, Sydney
Finitude 2017
acid, Molong marble, mirror, Bentwood chair
90 x 40 x 54 cm
Sacrificed in the Making of his Own Memorial 2017
Wombeyan, Chicago and Yass marble, Bentwood chair
110 x 38 x 73 cm
Monument 2017, installation view, Sullivan + Strumpf, Sydney
Monument 2017, installation view, Sullivan + Strumpf, Sydney
Bentwood Hybrid 02 2016
Bianca Carrara, Bentwood chair
94 x 40 x 54 cm
Bentwood Hybrids 2016
Antique Viennese Thonét Bentwood and Bianca Carrara
94 x 41 x 50 cm eac
Monolith 2017
ink jet on cotton rag
75 x 40 cm
Edition of 3 + 2 AP
stop-motion video
4.00 minutes
Edition of 3 + 2 AP